The latter have been done in China, Portugal, Baghdad, and Amman in the period 1960-2014 | The aim and the limitations of the research are also pinpointed, and then the terminology used is fairly explained |
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These imply that the research sample must be outlined, then the research examples are chosen | Therefore, the problem is to answer the following question: How are the bases of the aesthetics of the design represented in the drawings of Rafei al-Nasiri? In the scene of Iraqi painting, the preoccupation systems of design are associated with creating aesthetic responses in which the Iraqi painter tries to find justification of the characteristic of designing manifestation in the drawing |
As result, the drawings of Jwawd Salim, Faikh Hasan, Shakir Hasan Al Said, Mahmood Sabri, Kadhum Haider and Rafei al-Nasiri have crystallized the aesthetic frames of the form within the traditional and normal formal means | The importance of the research is reflected in the fact that it is an attempt to shed light on the aesthetic values based on structural elements which compromise the painting and design |
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Then the research tool and mathematic and calculating means used in the process of analyzing the sample works are reviewed | In fact, al-Nasiri is considered one of the most influential Iraqi painters; therefore, this research tries to add a contribution to the artistic studies of Iraqi fine arts |
The first chapter is devoted to outline the problem of the research, its importance and the theoretical and practical needs for it | The fourth chapter includes the results, the conclusions, the recommendations and suggestions |
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